![]() Or Batman: The Telltale Series, which lends us “John,” an initially harmless psychiatric patient whose fixations on the alluring Harley Quinn and his “best friend” Bruce Wayne drive him over the edge. Batman: The Killing Joke gave us the story of a hard luck stand-up comedian of little talent, who falls in with the wrong crowd to provide for his family and ends up losing everything. The most popular villain used for this particular approach is, appropriately, the Joker himself. To humanize a super-villain, the simplest solution is to go back to when they were human and show us how they fell. Or, to borrow a phrase from the Joker, their “one bad day.” Just as every hero has their Secret Origin, every super-villain had that incident which made them into who they were. Let’s look at four different ways of making a super-villain a star.Ĭommon advice is that the ideal place to start any story is at the beginning. But luckily, it’s one which DC has attempted enough times-successfully, no less-to allow us to figure this out together. This gives rise to a particularly tricky challenge: how do you tell a story about a villain without making it all about the hero they were created to challenge? How do you shift a villainous character from antagonist to protagonist? As these villains continue to return to wreak havoc against their heroic counterparts, we find ourselves wanting to know more about them each time. ![]() ![]() By necessity, every hero’s ongoing story requires a wide variety of obstacles for them to face, and as such, new concepts for villains tend to generate at a much faster clip than new heroes.īut every so often, once in a hundred new foes, a villain arises with such a compelling element to them that we become drawn to their story. Among the tens of thousands of unique characters who inhabit the DC Universe, it’s the super-villains created to oppose our greatest heroes who often shine the brightest.
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